Schism in the art of KanYu, similarly with the other arts of the Chinese origins, has never been in a state of dispute. At the highest level of Dao, all grandmasters understood the strength and limitation of one body of knowledge against the others, and seldom do they bad-mouth and hiding behind veils to character assassination of one another. Most of the disputes similarly to the present day hearsays, misunderstanding, back-stabbings and fraudulent talks are nothing but of self centered motives of a certain profiteering individuals, prostituting themselves as other impeding names liked musketeer of Chinese metaphysics and others. Only he who knew the arts most understands that in SanHe there is SanYuan and vice versa. The question is why?
The pretext of SanHe dwells in the notion of elemental frames matching the stages of Qi. Similarly for SanYuan, the pretext is rooted on the notion of elemental Gua Qi of the heaven, earth and human affinity matching the strength of Qi. They move in separate platforms, all has their corresponding landform and time factor. If ever one say only SanYuan school takes the time dimension, then it has to be taken with a huge pinch of salt. It is pure nonsense!
It is even more ridicules to even equate SanHe as an assessment based on the East and West dichotomy. If ever there are marketers or similar individual of that stature propagate such principles, one knows well it is going to take one for a ride of the century. Let not speak about diamond, when it is serving the filth for the price of gold.
SanHe is not about having a TaiJi spot at the center of the property neither is SanYuan measured from the door. These are fallacies. It is neither the grid nor the wedge, in principle nor applications. Many can’t even understand beyond the use of the 24 mountain plate, let alone speaks about grid or wedge. Compartmentalization, replacement and other jargons just add up the confusion. These are exceptionally neither SanYuan nor SanHe. These are Rojak (Malaysian Salad).
SanYuan is not about Flying the Star on landform and buildings. SanHe is not about water features (drains) around the property nor low laying landforms. XuanKong Flying Star as known by the masses is Nursery grade, not even kindergarten level, so is the East & West dichotomy 8 mansions system. These are indeed very safe Fengshui. Wouldn’t Fengshui is meant to be safe?
There are more things in common about the two schools of thought. True that it take years to master let alone proficient in these form of arts. Most important, it takes affinity to understand the truth. However, in the modern context, the profiteering of these arts is beyond any limits of comprehension and it is going to continue. This is a fact.
Given a choice, I will say thus: -
If you need to drink, drink from the source. When you drink, don’t pollute the source. Do not seek for the truth; seek only to purge the untruth. Then the truth will reveal. He who sees the truth sees the master. He who controls himself well is the master of himself.
So, do you still need to listen to the musketeer?