The art of receiving Yin and pushing Sha, 收山出煞, has many interpretations. Among all definitions, XieZi, 些子, is one of the lesser known. Some define Shan, 山, as mountain while others define it as Yin, static, solidify Qi or stillness. This art is to enable one to turn Yin into Yang and vice-versa.
Many assumed, WuChang, 無常, lineage practiced 收山出煞, according to the displacing YinYang principles. It has to do with 山上龙神不下水，水里龙神不上山, Dragon Mountain God doesn’t dive; Dragon Water God doesn’t climb. 收山, means prosperous mountain stars matching higher ground, while prosperous water stars matching lower ground. 出煞, is to do the reverse. Same token, a mountain god will be drowned and a water god will be dead thirsty, when their YinYang is displaced. It assumed, Dragon God 龙神 meant the 9 stars. The malignant star will be harmless when their YinYang is displaced. One question is does the term Dragon God, 龙神 really refers to the 9 stars?
Adding to the fallacy, Sheng 沈氏玄空學, gives additives to 收山出煞, by introducing the sitting and facing stars. It assumed that sitting star is mountain star and facing star is water star. That is where it is often mixed up between the need to LiPan or to GePan. Establishing sitting and facing stars became cumbersome. If someone tells you that the same row of shops has a different sitting and facing because they measure it by reference to the door. Sheng’s method on 收山出煞 is deemed to work only if it falls within its “structure” which is one reason why Flying Star sometimes, doesn’t work.
Another reason for 收山出煞 comes from SanYuan point of view. It is called the principle of Direct and Indirect, 零正. Any violation to this principle would not see results in the application of SanYuan. The idea of 零正 comes from Prosperous Qi arriving at the un-prosperous sector while depleting Qi is revitalized by the prosperous sector. It means to say, 8 timely Star will see Northeast sector prosperous 正神. It prefers to receive Yin 收山. Southwest, would be untimely 零神 and prefers to push Sha 出煞 to accumulate water. In many instances, violation of Direct and Indirect Spirits, 零正 also see positive results in many real life cases.
The LiuFa 六法 offers a different perspective by introducing the idea of JingLung or Golden Dragon 金龍 as an annotation to the 5 yellow in their manipulation of the LoShu chart, by means of LoShu path flight based on the YinYang Gua, to explain why in the many instances violation of 零正 also see positive results. However, this theory is force-fitting, as LoShu only leans forward as time only travels forward and not backward, unless space time dimension is bent.
Another novel idea of 收山出煞 came from DaGua 大卦. One advocated that DaGua 大卦 is the body, FlyingStar 飞星 is the application owing to the former has the basis in the Early Heaven and the later has the basis in the Later Heaven. One uses DaGua to match LongShan XiangShui 龍山向水 to achieve YiGua ChunQing 一卦純清 and matching FlyingStar chart to acquire the timely purple white. Therefore, door tilting became the upmost important method. Once the door tilt, both the FlyingStar and the Hexagram altered. It introduced yet another caveat known as the Out of Gua and JingFang’s 京房 Hexagram to look ever more convincing. This is another form of 收山出煞, where 收山 by having in-Gua or using the same family Hexagram and 出煞 by putting one out of Gua or different family Hexagram. If this theory works, then all the tilted doors must be enjoying bountiful business but yet, real case studies revealed otherwise. The response to critics is that, most of these tilted doors do not conform to landform, therefore, it doesn’t work.
… To Be Continue, as we shall disclose more in our FengShui Workshop.
